First sight of what you see when you go through those doors I hope will take visitors' breath away. The room itself, beyond that the back deck with its brass railing, and then...the sun setting over the Hudson River beyond that and off to the right. The house should be oriented so that the Dining Room faces due south.
Here's a view from the deck. The whole south wall is entirely glazed.
Across the deck is a built-in grill with a water basin for outdoor dining. I'll return to this later from the roof. The Kitchen is reached through a hidden door. The slabs of marble on the wall are cut and arranged based on the location of this door to keep it perfectly invisible. All the slabs will have a small incised piece cut out to correspond to the location of the handle on the slab hiding the door. The hidden door into the Office on the opposite side is treated the same way. As I'll point out when I discuss the Kitchen, there is a way to also cut an opening into the Dining Room directly from the kitchen counter which would make serving food even easier.
It becomes fairly obvious here that I included no light fixtures or furniture. Likely most of it would be store-bought anyway, but it also would have been terribly time consuming to create that many light fixtures from scratch.
The Powder Room is a black marble cylinder in between the Dining Room and Living Room. Although it can also be easily accessed from the Atrium, I saw no reason why there shouldn't be access to it directly from the room where you're consuming the food in the first place. Probably a small measure of soundproofing would be prudent, but if we're talking about the sonic privacy of guests, presumably there would be music playing and plenty of other background noise if there were a dinner party in progress.
Since, after dinner, guests will "retire" to it, the Living Room is at a lower level than the Dining Room. Instead of stairs, the floor slopes down to it. This was one case where Sketch-Up's awkward handling of curvaceous shapes worked to my advantage. In order to accommodate this slope in the white marble, I want to find a section of old marble that has cracked into pieces naturally due to old age (but isn't from a site with historical importance, of course). Then, these naturally cracked pieces will be fit back into place like a mosaic and installed like the rest of the flooring. It might be interesting to find the shattered marble first and then match the rest of it in the house by acquiring new marble from the same quarry, if possible. While the rendering isn't random like cracked marble, it doesn't look too far off from what I'd envisioned. The marble on the slope might be left slightly less polished to counteract slippage.
The water from the pool in the center of the Atrium falls down through channels in the floor and continues through the Powder Room--since this is a "wet" room. Some sections of the channels might need to be covered with glass, but I'm not convinced it would be necessary.
The water from here is pumped back up to the Atrium ceiling or continues out to the edge of the deck and spills over on its way to the Hudson. It would be nice to connect this to existing rain water runoff paths. I see no problem with creating a few new ones, as long as they're not very large, to watch how the house sculpts the land in a natural sort of way using flowing water. I predict family pets will love having fresh cool rainwater to drink whenever they like. I'll address sanitary concerns in a later post.
Another thing that can't be seen here deserves some explanation. I love fireplaces. I always thought the fireplace in Charles Foster Kane's mansion was awesome. It was so huge that it was practically the size of a small room that you could walk into. This led me to question why, if handled properly, an indoor fire would necessarily need to be enclosed at all. Certainly primitive humans didn't enclose their fires, although they were mostly likely constantly burning their homes down to the ground. I've also always loved the idea of an open fire in the center of the room (better for exploiting the heat it produces anyway), with a canopy suspended from the ceiling to deal with the smoke, which for some reason I associate with panthers and ski lodges. It means the central fire can be enjoyed from both adjacent rooms simultaneously.
Newer technology has made the hearth obsolete along with a lot of other things, unless you consider the symbolism of it. I suspect all but the most corny of traditionalist families actually do sit around a roaring fireplace singing songs, telling stories, and roasting marshmallows on frosty winter nights anymore. The technology I'm talking about was pioneered by EcoSmart Fire. The fuel their products burn is renewable bioethanol, which produces practically no pollutants or fumes whatsoever. In fact, they say that if the room is relatively large, it doesn't even require any special measures for ventilation.
The television is mounted into the wall with a marble slab that will pop out and slide out of the way when it's turned on. Special prize for anyone who knows who that is and in what movie (there isn't really a prize). The full width of this wall and the black marble wall of the Dining Room will be backed with the invisible speakers I discussed a while back. The walls themselves will be the speakers, immersing the whole space in a complete sound environment. I'd love for the Dining Room wall to be the left channel and the Living Room the right, but this would need to be switched around for viewing movies. Surround sound would be spectacular.
The tables will be on wheels, as well, with scissored legs allowing them to change height. There will be a few smaller tables strewn around which could be attached to one another to form larger surfaces. It's the coffee table, however, which will truly be the heart of this room. It will also be on wheels with scissored legs and will appear to be a plain, glossy black table, about six feet long by three feet deep, and somewhat thick like the monolith in 2001: A Space Odyssey. As I sort of hinted earlier, when activated, the top surface becomes a touch-screen computer interface that controls everything that goes on in the room and some other parts of the house. All sound and video, lighting, climate, water, fires, everything can be controlled on this table. It will also bring up the image of the turntables and mixer that disappeared from the study. By sliding your fingers across its surface, you can flip through digitally-stored music files, slide them over to put them on the virtual turntables, and mix them as if they were vinyl records. If I wanted to get really fancy, I could say that at the end of the night, you touch a "recharge" button, and it will automatically roll itself back over to its charging station against the wall.
The overhang of the second story above here is calculated for this latitude so that sunlight at noon will only shine inside the house during the colder winter months. During the summer it will stop just short of the glass doors. On winter evenings, this room should be completely saturated in golden sunlight. The overhang should also mean that the sliding glass doors should be able to be left at least halfway open even during a rainstorm, arguably the best time to have free ventilation on a hot summer day. A stair from the back deck takes you southwest down to the riverbank and maybe a dock? Maybe I should design a matching houseboat next.
©2013, Ryan Witte